HOMAGES

Homage No. 1 (to Durer)

To draw from a painting (indeed it might be from a sculpture, print, drawing or absolutely anything) is perhaps the only way in which some of us truly see. Often one comes aways with a heightened understanding of the work; its surface, fine details and structure. Yet sometimes one gets lost in a particular place, loosing a sense of the whole but gaining a depth of experience which might otherwise be missed. My mind wanders sometimes, tangentially, making associations with past experiences and objects. But often the process is reversed; objects cause one to think of art and of artists, the associations frequently obvious, but sometimes cryptic and seemingly inane.

This is where the idea of a 'Homage' emerged. An object (or objects) that point or hint at a painting. Perhaps they are merely a series of personal indulgences. 'Homage No. 1 (to Durer)' stemming from an Exhibition of Durer etchings at the Lady Lever Gallery. A print of Adam and Eve pointed to the painting seen recently in the Prado. Eve the temptress with forbidden fruit. The peace of the garden and innocence of man about to be forsaken for all of eternity. 

The V&A

Spent the weekend in the Victoria & Albert and even though one of the cast rooms was closed my spirits are always raised by this marvellous collection. It might be just on the edge of the twenty minute radius offered by Boris Bikes from my usual SW1 stomping ground, but the frantic peddling is well worth it...not to mention a Sunday lunch to die for.

Take a look at Ling

If this is the best of contemporary painting then the Tate curators need to get out a little more. Simon Ling's work however, is worth exploring. Confident urban snapshots and thick vibrant colours; Ling is a painter's painter.